Ph.D. Dissertations
Composition
Adler, Christopher. Pan-lom: Essays on Architecture I, for instrumental ensemble of Thai and western instruments: soprano saxophone, oboe, violin, viola, violoncello, ranaat ek, hammered dulcimer, khong wong yai, Thai handbell, mong, thone-rammana, contrabass, and mallet percussion instruments. 1999.
Boquiren, Sidney Marquez. Misa (Mass), in Tagalog, for chorus, strings, guitars, piano, and percussion. 1999.
Bower, John E. The Echo Over the Voice, for solo viola, chamber ensemble, and interactive electronics. 2007.
Carlson, James R. Rosarium philosophicum, for flute, oboe, clarinet, percussion, violin, viola, violoncello, and recorded sounds or 2 speaking voices. 2000.
DeAlmeida, Craig. The Vision of Isaiah, for soprano and baritone soli, chorus and orchestra or organ. 2004.
Faris, Marc. Cultural Studies, for brass quartet, rock band, and string quartet. 2003.
Fitzgerald, Jennifer. Having Once Been, for piano, harp, percussion, and string orchestra. 2005.
Harkins, H. James (Henry James) Brightening : a quartet for saxophones with electronics. 2001.
John, Antony. Hemisphere of Darkness, for chorus and large chamber ensemble. 2002.
Kouneva, Penka D. Cantata Where Nature and Soul Meet, for soprano and baritone soloists, mixed chorus and chamber orchestra. 1997.
Krishtal, Mikhail. Music For An Ensemble of Old Fortepianos, Enabled and Enhanced by Computer Processing. 2005.
Kuss, Mark. Shakro: an opera in one act. 1995.
Lipten, David. Stunt Double, for flute, clarinet, violin, cello, piano and percussion. 1997.
Llaneza Sandoval, Arístides. Bóveda Celeste, desierto en mi imaginación, for large ensemble. 2006.
Mallonée, Caroline. The Gift of the Magi: an opera in one act. 2006.
Malone, Ryan. Stabat Mater, for SATB choir. 2006.
Mayrose, John. String Theory for large ensemble and electronics. 2006.
Metcalf, Joanne. Missa Il Nome del Bel Fior, for solo voices (TTB), unaccompanied. 1999.
Sauerwein, A. M. (Andrew Mark). A Resurrection Series : nine movements after drawings by Randall Speck, for 16-player chamber orchestra. 2001.
Schimmel, Carl. Piano Concerto. 2008.
Stookey, Nathaniel. Out of the Everywhere, for orchestra. 2003.
Townley, Richard S. Apocalypse: an oratorio, for tenor and baritone soloists, SA boy choir, chorus, and orchestra. 2000.
Musicology and Performance Practice
Anderson, Christopher Scott. Reger, Straube, and the Leipzig school's tradition of organ pedagogy, 1898-1948.
Baade, Colleen Ruth. Music and music-making in female monasteries in seventeenth-century Castile. 2001.
Bailey, Candace Lea. English keyboard music, c1625-1680. 1992.
Boye, Gary R. Giovanni Battista Granata and the development of printed music for the guitar in seventeenth-century Italy: with a transcription of his works for solo guitar. 1995.
Breene, Samuel. Mozart's Violin Sonatas and the Gestures of Embodiment: The Subjectivities of Performance Practice. 2007
Burris, Timothy. Lute and theorbo in vocal music in 18th-century Dresden: a performance practice study. 1997.
Calico, Joy Haslam. The politics of opera in the German Democratic Republic, 1945-1961. 1999.
Cooper, John Michael. Felix Mendelssohn Bartholdy and the Italian Symphony: historical, musical, and extramusical perspectives. 1994.
Crittenden, Camille. Viennese musical life and the operettas of Johann Strauss. 1997.
Dickey, Timothy John. Reading the Siena choirbook: a re-appraisal of the dating, musical repertories, and Marian performance context of the manuscript Siena, Biblioteca Comunale degli Intronati, MS. K.1.2. 2003.
Fergison, Drue Alexandra. Les noces: a microhistory of the Paris 1923 production. 1995.
Flynn, Jane. A reconsideration of the Mulliner book (British Library Add. Ms 30513): music education in sixteenth-century England. 1993.
Fontijn, Claire Anne. Antonia Bembo: les goûts réunis, royal patronage, and the role of the woman composer during the reign of Louis XIV. 1994.
Garcia, Thomas George Caracas. The Brazilian choro: music, politics and performance. 1997.
Gerbino, Giuseppe. Orpheus in Arcadia: the creation of pastoral mode in the sixteenth-century madrigal. 2001.
Gier, Christina. Intertextuality in music and gender ideology in Alban Berg's modernist aesthetic. 2003.
Gibson, Jonathan B. Le naturel and l'éloquence: the aesthetics of music and rhetoric in France, 1650-1715. 2003.
Gramit, David. The intellectual and aesthetic tenets of Franz Schubert's circle: their development and their influence on his music. 1987.
Harwell, Anna Hedrick. "Unsre Kunst heisst poesie": Niels W. Gade's early compositions and their programmatic origins. 1996.
Hirsch, Lily. Imagining "Jewish Music": Der Judische Kulturbund and Musical Politics in Nazi Germany 1933-1941. 2006.
Hunt, Graham Gregory. "Ever new formal structures": the evolution of the dialogue-scene in Wagner's Lohengrin. 2001.
Ishii, Akira. The toccatas and contrapuntal keyboard works of Johann Jacob Froberger: a study of the principal sources. 1999.
Itoh, Tatsuhiko. Music and musicians in the German Stammbucher from circa 1750 to circa 1815. 1991.
Katz, Daniel Seth. The earliest sources for the Libellus cantus mensurabilis secundum Johannem de Muris. 1989.
Keyl, Stephen. Arnolt Schlick and instrumental music circa 1500. 1989.
Knapp, Raymond. Brahms and the problem of the symphony: romantic image, generic conception, and compositional challenge. 1987.
Kreitner, Kenneth Richard. Music and civic ceremony in late fifteenth-century Barcelona. 1990.
Leonard, Charlotte Anne. The role of the trombone and its Affekt in the Lutheran Church music of seventeenth-century Saxony and Thuringia. 1997.
Lerner, Neil William. The classical documentary score in American films of persuasion: contexts and case studies, 1936-1945. 1997.
Lowerre, Kathryn J. Music in the productions at London's Lincoln's Inn Fields Theater, 1695-1705. 1997.
Lynn, Donna Levern. Genesis, process, and reception of Anton Webern's twelve-tone music: a study of the sketches for opp. 17-19, 21, and 22/2 (1924-1930). 1992.
Mattia, Kasey. Crossing the Channel: Cultural Identity in the Court Entertainments of Queen Henrietta Maria, 1625-1640. 2007.
McElveen, Georgiary Bledsoe. "My hands, O God, I offer thee": religious social consciousness and cooperative power in the Metropolitan St. Louis Gospel Music Center, 1930-1960. 2002.
Montagnier, Jean-Paul. The church music of Charles-Hubert Gervais: sous-maître de musique at the Chapelle Royale. 1994.
Oleskiewicz, Mary A. Quantz and the flute at Dresden: his instruments, his repertory and their significance for the Versuch and the Bach circle. 1998.
Page, Janet Kathleen. Wind instruments in the music of Joseph Haydn, 1785-1798: studies in orchestration, compositional process, and musical structure. 1993.
Pollack, Janet. A reevaluation of Parthenia and its context. 2001.
Power, Tushaar. J.S. Bach and the divine proportion. 2001.
Pusey, Marcel. Haydn's instrumental music and the fallacy of Sturm und Drang: issues of style in the symphonies, string quartets, and keyboard sonatas c. 1766-72. 2005.
Pyatt, Janet Best. Music and society in eighteenth-century Germany: the music dramas of Johann Heinrich Rolle (1716-1785). 1991.
Timofeyev, Oleg V. The golden age of the Russian guitar: repertoire, performance practice, and social function of the Russian seven-string guitar music, 1800-1850. 1999.
Unsworth, Andrew Emerson. Organ pedagogy and performance practice in Boston, 1850-1900. 2001.
Youmans, Charles Dowell. Richard Strauss's Guntram and the dismantling of Wagnerian musical metaphysics. 1996.
Zank, Stephen. L'arrière pensée in music of Maurice Ravel: sound, style and virtuosity. 1996.