News

Graduate composer Scott Lee receives 2017 ASCAP Foundation Morton Gould Young Composer Award

Tuesday, April 4, 2017
Scott Lee also won Symphony In C's 2016-17 Young Composers' Competition for Vicious Circles. It was performed by Symphony In C on January 28, 2017. Vicious Circles was read in March 2016 by the North Carolina Symphony as part of a year-long engagement between the Duke... Read More »

Candace Bailey (Ph.D. 1992) has received the Hampsong Fellowship in American Song for her project "Music in Charleston's Historic Homes"

Tuesday, April 4, 2017
In 2016, Professor Bailey won the Judith Tick Fellowship from the Society for American Music for research in women in American music. She was also the recipient of a 2015-16 National Endowment for the Humanities Faculty Award. Candace Bailey is Professor of Music at North Carolina Central... Read More »

Clara Yang (T '11) receives Fulbright Graduate Degree Grant

Tuesday, April 4, 2017
Clara graduated from Duke in 2011 with a double major in Music (concentration in flute performance) and Biology. After college, she taught seventh grade science through Teach For America in Red Hook, Brooklyn, and was also a teaching artist with the Youth Orchestra of St. Luke’s and the New... Read More »

Darren Mueller (Ph.D. 2015) has been awarded the Wiley Housewright Dissertation Award by the Society for American Music

Tuesday, March 28, 2017
The Wiley Housewright Dissertation Award is designed to recognize a single dissertation on American music for its exceptional depth, clarity, significance, and overall contribution to the field. American music is interpreted in all its historical and contemporary styles and contexts, including, but... Read More »

R. Larry Todd's new music textbook, "Discovering Music"

Wednesday, March 15, 2017
"R. Larry Todd's engaging approach teaches students both how and why to listen, emphasizing the relevance of course content to students' lives and highlighting connections between music, history, and other art forms." -- Oxford University Press website R. Larry Todd is Arts & Sciences... Read More »

Royal College of Music performs Fanny Hensel's Easter Sonata, attributed to Hensel by Angela Mace Christian (Ph.D. musicology, 2013)

Wednesday, March 15, 2017
In 2010, while a musicology graduate student at Duke, Angela Mace Christian obtained access to an original manuscript held in a private collection. She recognized Hensel's handwriting and musical style, but also that the pages she was holding were those missing from a volume of Hensel's works.... Read More »

John Supko receives a Thomas Langford Lectureship award

Tuesday, March 7, 2017
Composer and Associate Professor John Supko (pictured with Provost Sally Kornbluth at the Langford luncheon on February 21) is one of three 2016-2017 winners of Duke's Thomas Langford Lectureship awards. He presented a lecture and selections from his compositions at the luncheon... Read More »

Sid Richardson receives Charles Ives Scholarship from the American Academy of Arts and Letters

Tuesday, March 7, 2017
Sid Richardson writes concert music that imbues modern idioms with emotional grit and cerebral wit.  He has collaborated with ensembles such as The Da Capo Chamber Players, Ensemble Amarcord, and yMusic.  He has engaged in projects with prominent soloists like saxophonists Susan... Read More »

Carl Schimmel (Ph.D. Composition, 2008) receives Goddard Lieberson Fellowship from the American Academy of Arts and Letters

Tuesday, March 7, 2017
Carl Schimmel is Associate Professor of Music Theory and Composition at Illinois State University. Praised by The New York Times as “vivid and dramatic,” the music of Carl Schimmel is dense with literary and musical references, often humorous, and combines intensity of expression with a... Read More »

Jean-Paul Montagnier (Ph.D. 1994): "The Polyphonic Mass in France, 1600-1780" (Cambridge UP, May 2017)

Tuesday, February 21, 2017
Though the musical settings of the Ordinarium missæ and of the Missa pro defunctis have been the subject of countless studies, the stylistic evolution of the polyphonic masses composed in France during the seventeenth and eighteenth centuries has been... Read More »

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