Nina Penner is a musicologist who is at Duke for two-year postdoc, funded by the Social Sciences and Humanities Research Council of Canada. Her work lies at the intersection of opera studies, analytic philosophy, and literary theory. Her first book A Philosophy of Operatic Storytelling (under contract with Indiana University Press's Musical Meaning and Interpretation Series) theorizes how opera tells stories in comparison with other media. Her next book project will be on the nature of authorship and collaboration in opera, examined through a case study of Myfanwy Piper, a twentieth-century British librettist. She has secondary research and teaching interests in the American musical and film music.
Ph.D., Musicology, McGill University, 2016
M.A., Musicology, University of Toronto, 2009
B.Mus., Clarinet Performance, University of Toronto, 2007
Penner, N. "Rethinking the Diegetic/Nondiegetic Distinction in the Film Musical." Music and the Moving Image 10.3 (November 1, 2017): 137-45.
Penner, N. "Opera singing and fictional truth." Journal of Aesthetics and Art Criticism 71.1 (2013): 81-90.