Bryan Gilliam

Bryan Gilliam

Professor Emeritus of Music

Internal Office Address: 
Box 90665, Durham, NC 27708-0665

Ph.D., Harvard University. Author of books and articles on late 19th-and early 20th-century German music. Specialties include Richard Strauss, Anton Bruckner, Kurt Weill, Erich Korngold, 19th and 20th-century German opera, fin-de-siècle Vienna, film music, German musical aesthetics.

Education

  • Ph.D., Harvard University 1984
  • M.A., Harvard University 1978
  • B.A., University of Cincinnati 1975

Gilliam, B. “"Daphne’s Transformation".” Richard Strauss and His World, edited by B. Gilliam, Princeton University Press, 1992, pp. 33–66.

Gilliam, B. “"Richard Strauss’s Intermezzo: Innovation and Tradition".” Richard Strauss: New Perspectives, edited by B. Gilliam, DUke University Press, 1992, pp. 259–83.

Pages

Gilliam, Bryan. “Strauss' "Friedenstag" und die Politik: Antwort an Gerhard Splitt.” Archiv Für Musikwissenschaft, vol. 56, no. 4, JSTOR, 1999, pp. 347–347. Crossref, doi:10.2307/931057. Full Text

Gilliam, B. Sibelius and Modernism. Dec. 1997.

Gilliam, B. Bruckner’s 8th Symphony. Apr. 1996.

Gilliam, B. “Bruckner's Annexation Revisited: A Response to Manfred Wagner.” The Musical Quarterly, vol. 80, no. 1, Oxford University Press (OUP), Jan. 1996, pp. 124–31. Crossref, doi:10.1093/mq/80.1.124. Full Text

Gilliam, B. “The authorship of the text of Strauss's 'friedenstag'.” Music and Letters, vol. 76, no. 1, Feb. 1995, pp. 142–43. Scopus, doi:10.1093/ml/76.1.142. Full Text

Pages