Professor Emeritus of Music
Ph.D., Harvard University. Author of books and articles on late 19th-and early 20th-century German music. Specialties include Richard Strauss, Anton Bruckner, Kurt Weill, Erich Korngold, 19th and 20th-century German opera, fin-de-siècle Vienna, film music, German musical aesthetics.
- Ph.D., Harvard University 1984
- M.A., Harvard University 1978
- B.A., University of Cincinnati 1975
Gilliam, B. “"The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation".” The Musical Quarterly, vol. 78, Oct. 1994, pp. 558–83.
GILLIAM, B. “'SALOME' + IN RESPONSE TO SHOWALTER,ELAINE.” Tls the Times Literary Supplement, no. 4773, Sept. 1994, pp. 17–17.
Gilliam, Bryan. “The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation.” The Musical Quarterly, vol. 78, no. 3, Oxford University Press (OUP), 1994, pp. 584–604. Crossref, doi:10.1093/mq/78.3.584. Full Text
Gilliam, B. “"The Two Versions of Bruckner’s Symphony no. 8" ("Rehearings").” 19th Century Music, vol. 15, July 1992, pp. 59–69.
GILLIAM, B. “THE 2 VERSIONS OF BRUCKNER 8TH SYMPHONY.” Nineteenth Century Music, vol. 16, no. 1, 1992, pp. 59–69.
Gilliam, B. The Influence of Film on German Opera of the 1920s. Nov. 1991.
Gilliam, B. Richard Strauss’s Intermezzo: Innovation and Tradition. Apr. 1990.
Gilliam, B. Intermezzo und die Zeitoper in den Zwanziger Jahren. Oct. 1989.
Gilliam, B. Die Elektra Premiere: Hintergründe und Rezeption. June 1989.
Gilliam, B. T. S. Eliot, The Waste Land, and the Legacy of Wagner. Mar. 1988.