Professor Emeritus of Music
Ph.D., Harvard University. Author of books and articles on late 19th-and early 20th-century German music. Specialties include Richard Strauss, Anton Bruckner, Kurt Weill, Erich Korngold, 19th and 20th-century German opera, fin-de-siècle Vienna, film music, German musical aesthetics.
- Ph.D., Harvard University 1984
- M.A., Harvard University 1978
- B.A., University of Cincinnati 1975
Gilliam, B. Hugo von Hofmannsthal, Richard Strauss, and the Evolution of Elektra. 1988.
Gilliam, Bryan. “Gustav Mahler Richard Strauss: Correspondence, 1888-1911 . Gustav Mahler , Richard Strauss , Herta Blaukopf .” Journal of the American Musicological Society, vol. 39, no. 2, University of California Press, July 1986, pp. 418–22. Crossref, doi:10.1525/jams.1986.39.2.03a00100. Full Text
Gilliam, B. “"Richard Strauss's Preliminary Opera Sketches: Thematic Fragments and Symphonic Continuity".” 19th Century Music, vol. 9, Mar. 1986, pp. 176–88.
GILLIAM, B. “STRAUSS PRELIMINARY OPERA SKETCHES + 'ELEKTRA' AND DER 'ROSENKAVALIER' - THEMATIC FRAGMENTS AND SYMPHONIC CONTINUITY.” Nineteenth Century Music, vol. 9, no. 3, 1986, pp. 176–88.
Gilliam, B. Richard Strauss’s Preliminary Opera Sketches: Thematic Fragments and Symphonic Continuity. Nov. 1982.
Gilliam, B. Stefan Zweig’s Contribution to Strauss Opera after Die schweigsame Frau. Apr. 1981.