Assistant Professor of Music
- D.Phil., City University of New York 2008
Stoia, Nicholas. “The Tour-of-Keys Model and the Prolongational Structure in Sonata-Form Movements by Haydn and Mozart.” Journal of Schenkerian Studies, vol. 12, 2019, pp. 79–123.
Stoia, N., et al. “Rap Lyrics as Evidence: What Can Music Theory Tell Us?” Race and Justice, Jan. 2017.
Stoia, Nicholas. “Triple Counterpoint and Six-Four Chords in Bach's Sinfonia in F Minor.” Music Analysis, vol. 34, no. 3, Wiley, Oct. 2015, pp. 305–34. Crossref, doi:10.1111/musa.12041. Full Text
Stoia, Nicholas. “The Common Stock of Schemes in Early Blues and Country Music.” Music Theory Spectrum, vol. 35, no. 2, Oxford University Press (OUP), Oct. 2013, pp. 194–234. Crossref, doi:10.1525/mts.2013.35.2.194. Full Text
Stoia, N. “Mode, Harmony, and Dissonance Treatment in American Folk and Popular Music, c. 1920-1945.” Music Theory Online, vol. 16, no. 3, Society for Music Theory, Aug. 2010.