Assistant Professor of Music
Roseen Giles is a musicologist with a specialty in early modern musical culture; she is also the curator of DUMIC (Duke University Musical Instrument Collections). In her research she examines the aesthetic, professional, and personal relationships between poets and musicians of the Italian Baroque. Her monograph (in progress)—The Sound of the Marvellous: Monteverdi and his Poets—contributes to the intertwined histories of music and literature by arguing that the controversial experiments of seventeenth-century poets had a profound influence on techniques in musical composition, most notably in the works of Claudio Monteverdi (1567–1643). She has published essays on music and philosophy in the Renaissance, memory and orality in the notation of medieval music, and is currently preparing an edition of Alessandro Grandi's Madrigali Concertati (1615 and 1622) for the composer's Opera Omnia published by the American Institute of Musicology. Roseen Giles is also an active baroque flautist, performing regularly in both orchestral and chamber settings.
- Ph.D., University of Toronto (Canada) 2016
- B.Mus., University of Toronto (Canada) 2010
Giles, R. "Monteverdi, Marino and the aesthetic of meraviglia." Early Music 45.3 (December 11, 2017): 415-427. Full Text
Giles, R. "The Inaudible Music of the Renaissance: From Marsilio Ficino to Robert Fludd." Renaissance and Reformation 39.2 (2016): 129-166. Open Access Copy
Giles, R. "'A Natural Voice?'." Cambridge Opera Journal 29.2: 240-251. (Review)