Pop-music styles as the work of studio production techniques, post-1960s. We explore four influential artists--The Beach Boys ('Pet Sounds' 1966, and later albums); Stevie Wonder ('Music of My Mind'… read more about Studio Pop: Histories & Sounds, 1960s to 80s »
The Alexander Technique provides a structured method of self inquiry which has helped performing artists improve their skills for over 100 years. By uncovering and transforming previously unconscious… read more about Alexander Technique for Musicians, Dancers, and Actors »
A forum for collective discussion and reflection on students' ongoing performance experiences. Students will engage in an artistic practice of their choice while enrolled, and establish performance… read more about Artistic Practice Workshop »
The Ciompi Quartet’s residency at Duke allows students to work closely with its members and benefit from their extensive experience as active performers who are continually engaged in deepening and refining their own musicianship. As full-time faculty members, the quartet serves as a resource for students, other faculty, and the community at large.
Working with Duke Performances and through the assistance of the Mary Duke Biddle Foundation and the Office of the Vice Provost for the Arts, the Department of Music offers undergraduate and graduate students unparalleled opportunities for collaboration though Visiting Artist residencies.
Recent residencies have included the Da Capo Chamber Players, yMusic, North Carolina Symphony, Deviant Septet, and JACK Quartet.
The Duke University Musical Instrument Collections (DUMIC) are founded on the flagship collection, the G. Norman and Ruth G. Eddy Collection of Musical Instruments, which arrived here in Durham in 2000. The Eddy Collection has inspired further generous gifts and the acquisition of the Frans and Willemina de Hen-Bijl Collection of Musical Instruments, which arrived at Duke in 2003.