Kerry R McCarthy
  • Kerry R McCarthy

  • Associate Professor of Music and Director of the Collegium Musicum
  • Music
  • 063 Biddle Music
  • Campus Box 90665
  • Phone: 660-3319
  • Fax: 660-3301
  • Office Hours: Anytime by appointment
  • Curriculum Vitae
  • Specialties

    • Musicology
  • Research Summary

    Music of early modern England (with a special focus on the works of William Byrd)
    Renaissance contrafacture and other scribal misbehavior
    Liturgical reform and counter-reform
    German Baroque sacred music
  • Education

      • PhD,
      • Music,
      • Stanford University,
      • 2003
      • BA,
      • Music,
      • Reed College,
      • 1997
  • Selected Publications

      • K. McCarthy.
      • Liturgy and Contemplation in Byrd's Gradualia.
      • Routledge,
      • 2007.
      • K. McCarthy.
      • William Byrd.
      • Oxford University Press,
      • 2013.
      • K.R. McCarthy.
      • "Evidence of Things Past (review-article on David Mateer, The Gyffard Partbooks)."
      • Journal of the Royal Musical Association 135:2, 405–11
      • (2011)
      • .
      • K.R. McCarthy.
      • "Philips’ 1628 Paradisus and the triumph of the Eucharist."
      • Renaissance Studies 25:3 (June 2011), 447–58
      • (2011)
      • .
      • K. McCarthy.
      • "Byrd and the Mass-Proper Tradition."
      • Heinrich Isaac and Polyphony for the Proper of the Mass in the Late Middle Ages and Renaissance, ed. David Burn.
      • Ed. David Burn.
      • Brepols,
      • 2011.
      • 407-15.
      • K. McCarthy (with John Harley).
      • "From the library of William Byrd."
      • Musical Times
      • 150
      • .4
      • (Winter, 2009)
      • .
      • K. McCarthy.
      • "Byrd's patrons at prayer."
      • Music and Letters
      • 89
      • .1
      • (February 2008)
      • .
      • K. McCarthy.
      • ""Brought to speake English with the rest": Byrd's motet contrafacta."
      • Musical Times
      • 148
      • .3
      • (September, 2007)
      • .
      • K. McCarthy.
      • "Tallis, Isidore of Seville, and Suscipe quaeso."
      • Early Music
      • 35
      • .3
      • (August 2007)
      • :
      • 447-50.
      • K. McCarthy.
      • "Tallis, Thomas."
      • MGG (Die Musik in Geschichte und Gegenwart).
      • Personenteil vol. 16
      • 2007.
      • §457–70.
      • K. McCarthy.
      • "Byrd, Augustine, and Tribue Domine."
      • Early Music
      • 32
      • .4
      • (November 2004)
      • .
      • K. McCarthy.
      • "William Mundy’s Vox patris caelestis and the Assumption of the Virgin."
      • Music and Letters
      • 85
      • .3
      • (August 2004)
      • :
      • 353-367.
      • K. McCarthy.
      • "'Notes as a garland’: chronology and narrative of Byrd’s Gradualia."
      • Early Music History
      • 24
      • (2004)
      • :
      • 49-84.
  • View All Publications
  • PhD Students

    • Roman Testroet
      • 2005 - 2011
      • Thesis: [Projected area of research: sacred music of the Spanish Renaissance]
    • Kasey Mattia
      • 2004 - 2009
      • Thesis: Crossing the Channel: Cultural Identity in the Court Entertainments of Queen Henrietta Maria, 1625-1640
    • Quyen Tran
      • 2004 - 2008
      • Thesis: The Sacred Publications of Francesco Cavalli
  • Teaching

    • MUSIC 255S.01
      • MUSIC HISTORY I: TO 1625
      • Biddle 102
      • MW 11:45 AM-01:00 PM
    • MUSIC 561S.01
      • ANALYSIS OF EARLY MUSIC
      • SEE INSTRU
      • Tu 03:05 PM-05:05 PM